Change UK Party Political Broadcast- 4K (Interviews /Street & Broll)

The Daily Mile TVC / Cinema - Alexa Mini & Zeiss Superspeeds

Glasruit _ Commercial - Red Dragon 6K / Cooke S4 Dir: Rob Murray

Team UK- Americas Cup Promo: Alexa Mini: 4K, Zeiss uncoated Superspeeds. Dir: Jake McCauley.

DareToBelieve: 4K London: 2 x Alexa Minis & Uncoated Zeiss Superspeeds. Dir: Phillip Clyde Smith

TV Commercial ITV 4K - London - Dir: Martin McKean

Barclays Commercial - 6K Red Dragon - London - Dir Marco Mori

Barclays Commercial - 6K Red Dragon- Dir Marco Mori

Barclays - Smart Investor 6K Red Dragon - Dir: Marco Mori

DVLA - Commercial- Arri Amira - Cooke S4i '4K'

JLR Range Rover 'Evoque' Commercial - Campaign

We Travelled and shot our way throughout the UK/ Swiss Alps/ Paris for this beautifully simple and effective campaign. The shoot was tough, arduous and extremely rewarding. My weapon of choice had to be the Arri Amira. We wanted to something to shoot the campaign on that was 4K capable, robust, and could furnish us with an extensive Dynamic Range and Latitude. The Amira allowed us to capture the magic hours of natural light from Sunrise to Sunset. The Amira as ever didn't dissapoint.

 

Burberry Childrenswear Commercial 5K RED Epic

I was pleased to get invited back as 2nd Unit DP/ B-Camera operator to work on this prestigious campaign for Burberry.

 

Burberry - Childrenswear 5K Red Epic 100fps 

o2 commercial campaign: (Agency VCCP, London)

Below is a short n sweet commercial spot for o2 that I shot for the agency VCCP. Don't be fooled by its simplicity, this was shot in a tricky location in London combining lots of different elements and plate shots to make it work. Luckily the UK weather was very kind to us on this day.

 

Adidas/ Intersport/ Run Reigate commercial: Agency Jellyfish London (Cinema release)

A beautiful sunny day, a half marathon, two cameras and a drone unit. A balletic and very visual tale of an annual run. Shooting this at 4K all at 180fps was a treat. The nuance of movement and expression that aren't always registered at 25fps can be seen here with maximum impact.

 

Coral 'Bet In Play' TVC commercial:

Shot on the Red Epic at 300fps this shoot soaked up a lot of light. Between the 5K and 10K Tungsten lamps and a series of Space Lights lighting the Blue Screen we kept ourselves nice and toasty on a cold winters day in the Holborn Studios.